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VCUarts Music COVID-19 Event Cancellations
In response to the spread of COVID-19, Virginia Commonwealth University has moved all classes online and the university is operating with mandatory telework in place for most employees.
VCUarts facilities are closed effective Friday, March 20. All scheduled department events for the remainder of the Spring 2020 semester are canceled. Ticket holders for Department of Music events and Rennolds Series subscribers will be contacted via email with more information.
The Menuhin Competition has been postponed until May 13-23, 2021. Any tickets purchased for Menuhin Competition events will be honored for the 2021 Competition.
If you wish to receive a ticket refund, please contact email@example.com with your order number(s) and the first and last name associated with the order(s).
We appreciate your patience and understanding as we adapt to new operating procedures under COVID-19. The university will continue to post updates at alert.vcu.edu. VCUarts will post updates at blogs.vcu.edu/artsdean.
VCU’s Department of Music aims to engage students in activities that promote high-level musicianship and collaboration.This most often means exposing young musicians to playing in ensembles such as our Symphonic Wind Ensemble, VCU Symphony and VCU String Orchestra, to name a few. But what if students could go beyond the concept of simply “playing together?” Dr. Magdalena Adamek’s new class, MHIS 491: Advanced Chamber Music, seeks to push the boundaries of what it means to play in an ensemble.
Adamek, Assistant Professor in Collaborative Piano, believes that performing in an ensemble setting brings enormous benefits for students, especially for those at the beginning of their musical journey. She created the Advanced Chamber Music class for students who demonstrate a high level of proficiency with their instruments and who desire an in-depth approach to studying chamber music.
As an advocate for the development of a successful chamber music program at VCU, she believes chamber music plays a significant role in every music student’s life. Aside from developing a sense of pitch, rhythm, and gaining detailed insights into the genre and style of a particular piece, Adamek has observed that students learn how to communicate without words and how to sacrifice oneself for the benefit and overall excellence of the whole group. She has seen first-hand how they share their passion for music and learn about solving various problems while maintaining their own integrity.
With these learning outcomes in mind, Adamek designed the course to incorporate a performance element into a broader context of collaboration. First, the participants develop their playing skills under the professional guidance of skilled faculty members: Dr. Tiffany Valvo, clarinet; Dr. Tabatha Easley, flute; Susanna Klein, violin; or Adamek herself. Second, Adamek further guides the students to work together on their semester-long projects. This year’s projects involve a performance combined with a mini-lecture/multimedia presentation or program notes.
The VCU Music Education Faculty presented awards to Seth Taft and Paul Bakeman at the VMEA VCU Alumni Reception on Friday, November 17, 2017. Seth Taft received the Outstanding Music Education Young Alumni Award for exemplary practice as a young Music Educator, and Paul Bakeman received the Outstanding Music Educator Award for innovative and exemplar practice in Music Education.
The VCU Department of Music will host three professional development sessions for orchestra teachers this fall. Recertification credit available. Contact Dr. Sandy Goldie for more information.
The Bornoff Approach Workshop with clinician Debbie Lyle (Foundation for the Advancement of String Education)
Saturday, October 28, 2017
9 a.m. – noon
W.E. Singleton Center for the Performing Arts
922 Park Ave, Richmond Va.
Come and explore the exciting pedagogy of the Bornoff approach on your primary or secondary instrument in this interactive session for recertification credit.
Registration Fee: $10 on-site (Checks to ASTA@VCU or Cash) Click here to register
Applying Paul Rolland Actions in Public and Private Schoolswith clinician Nancy Kredel
Saturday, November 4, 2017
11 a.m. – 1 p.m.
James W. Black Music Center
1015 Grove Ave, Richmond Va.
Registration Fee: $10 on-site registration (Checks to VVS or Cash). Violapalooza participants attend for free. To register for Violapalooza, click here. Click here to register
Viola Masterclass with Daphne Gerling (University of North Texas) and Wendy Richman (New York University)
Saturday, November 4, 2017
1:15 p.m.- 2:50 p.m.
W.E. Singleton Center for the Performing Arts
922 Park Ave, Richmond Va.
Registration Fee: $10 on-site registration (Checks to VVS or Cash) Violapalooza participants attend for free). To register for Violapalooza, click here. Click here to register
Alexandra Mattson performing in a masterclass for Richard “Gus” Sebring
French horn player Alexandra Mattson was invited to attend the Atlantic Brass Quintet Seminar on scholarship this summer. The seminar ran from July 9-21, and was held at Tufts University in Somerville, Mass. The event included coaching, masterclasses, private lessons, and public performances in the university’s concert hall.
Mattson was assigned to a brass quintet for the two-week seminar and had a performance each week with her quintet. The seminar participants ranged from high schoolers to middle-aged musicians, and the faculty included members of the Atlantic Brass Quintet as well as Triton Brass. Mattson had the opportunity to perform in a masterclass for Richard “Gus” Sebring, associate principal horn of the Boston Symphony Orchestra and principal horn of the Boston Pops Orchestra.
“Performing at the seminar was probably one of the greatest experiences I’ve had personally and musically,” said Mattson.
Emily Nesbitt performing at La Musica Lirica in Novafeltria, Italy
Soprano Emily Nesbitt has returned to VCU Music this semester with an even stronger love for opera than she had before. She spent five weeks this summer at the prestigious La Musica Lirica in Novafeltria, Italy, as the youngest singer in the Young Artist program. She performed the role of Maestra delle Novizie in Puccini’s “Suor Angelica” and covered the lead role of Mimi in Puccini’s “La Bohème.”
“This trip was one of the most important experiences I have had as a performer,” said Nesbitt. “I feel a lot stronger with my Italian, I feel like a different singer.”
The program was intensive, with rehearsals consuming most of her time every day. In addition to rehearsals, Nesbit studied Italian for up to 15 hours per week. She attended weekly coaching sessions with Rossini Opera Festival coaches twice a week and two voice lessons per week. This was her first experience in a touring show and she had the opportunity to perform throughout Italy, including the areas of Rimini,Talamello and Novafeltria.
Nesbitt described the performance experience in Italy as like no other.
“People love opera in Italy,” said Nesbitt. “Getting to perform for such enthusiastic audiences who could understand the text we were singing was incredible.”
Violist Caleb Paxton attended his third year at the Green Mountain Chamber Music Festival in Burlington, Vt. from June 25 to July 23. Paxton served as a resident assistant at the event this year, which included a scholarship. Festival participants ranged in age from as young as 13 years old, to older than 30. The festival included faculty and student performances, masterclasses, private lessons, and more. The intensive program required four mandatory hours of practice each morning, and three hours of rehearsal in the evening.
“The trip helped me stay focused on maintaining a certain level of playing,” said Paxton. “Being surrounded by people who are better than you is just the best thing, and that’s what happens to me every year at this festival.”
Violist Jasmine Harris spent two weeks this summer at the Hot Springs Music Festival in the Ouachita mountains of central Arkansas, and five weeks at the Eastern Music Festival in Greensboro, N.C.
The Hot Springs Festival ran from June 3-16 and was orchestrally focused, with rehearsals every day and a full program concert every four days. Harris also had the opportunity to play and perform in a chamber group, attend masterclasses and receive private lessons.
The Eastern Music Festival (EMF) was a more intensive orchestra program with a full program orchestra concert every week, plus chamber performances. Her chamber group learned and performed Shostakovich’s String Quartet No. 8, which required rehearsals every day and two scheduled coachings per week. There was also a scheduled studio class once a week, where Harris and the other viola participants studied with six viola faculty members. She also had the opportunity to see the EMF faculty perform in their own orchestra. Read more »
Hamed Barbarji spent his summer traveling Europe, trumpet in hand. He first went to Switzerland for two weeks to visit family and attend the Montreux Jazz Festival, then attended Italian Brass Week in Florence, Italy, and then returned to Switzerland for another week before returning home.
Hamed Barbarji performing at the Montreux Jazz Club in Switzerland.
While at the Montreux Jazz Festival in Switzerland, Barbarji got the opportunity to see live performances of great jazz legends, including Herbie Hancock.
“It was absolutely the best concert I have ever been to,” said Barbarji. “Herbie is obviously an amazing musician, but he’s also just an incredible creator. I love what he writes.”
Barbarji was invited on stage to play with the band in the Montreaux Jazz Club and later found out that the legendary Quincy Jones, who took a video of Barbarji’s performance and shared it on his Instagram story, was in the audience.
“It was really awesome to be able to go up to the stage in front of 2,000 people and just call out a tune and have everything work,” said Barbarji. Read more »
Bass-baritone Shyheim Hinnant could be found anywhere but home this summer. He attended the Classical Singer Convention and Competition in Chicago, the Harrower Summer Opera Workshop in Atlanta, the Wintergreen Summer Music Academy in Nellysford, Va., and the German Vocal Arts Institute’s Summer Opera Program in Seattle.
Shyheim Hinnant performing role of Zuniga, the Lieutenant of Dragoons, in Bizet’s opera, Carmen.
Hinnant spent May 25-28 in Chicago for the Classical Singer Competition and Conference. He passed the first round of the competition this spring at George Mason University, and was invited to Chicago for the regional round where he continued to the second and semifinal rounds. This competition gave Hinnant a full scholarship to attend the German Vocal Arts Institute’s Summer Opera Program in Seattle. He also performed in masterclasses for Robert Swensen from the Eastman School of Music and Juliana Gondek from the UCLA Herb Alpert School of Music.
Next, Hinnant visited Atlanta for the Harrower Summer Opera Workshop, which ran from June 5-25. This workshop included daily movement classes and had a strong focus on French diction. He performed the role of Zuniga, the Lieutenant of Dragoons, in Bizet’s opera, Carmen. This was his first opera performance outside of VCU. Hinnant was also chosen to sing in a recital with American mezzo-soprano Jennifer Laramore.
“I grew tremendously as a singing-actor and made some amazing friends that only this business can provide,” said Hinnant. Read more »
Christine Hilbert was awarded the Richmond Music Teachers Association (RMTA) Collegiate Scholarship for the 2017-2018 school year. As part of the award, Hilbert has been invited to perform in recital at this year’s Playathon.